@Joseph Raszagal
A few reviewers tend to point out how the songs tend to get drowned out by the dialogue throughout the film, but their was a soundtrack of it released and you can hear the songs free of the dialogue on YouTube
Weeeeeell, the Nostalgia Critic busted the movie’s balls himself in his earlier videos, making a joke about how Christopher Plummer (The Great Duke of Owls) was forced to participate.
@Dirty Bit
I can’t really the soundtrack, but given the name I hope that the music in the film at least holds up. Has anybody on Youtube done a decent review of it?
Oh, it was, at times. First saw it on TV when I was younger than you, so I couldn’t fully appreciate it. Or the fact that Eddie Deezen was Snipes; all I heard was Mandark after rewatching the film
@Dirty Bit Titan A.E. was a lot of fun, but I distinctly hating Rock-a-Doodle back when I was… like… a 10-year-old or something. It’s still a pretty film, nice on the eyes and whatnot, but I it being rather stupid.
@BlazeHeartUnicorn
If there’s one thing Bluth has in spades, it’s definitely style. The Secret of NIMH and the original Land Before Time are two of my favorite animated films. Both are absolutely stunning to look at.
@Yet One More Idiot
I think he means the artstyle, but yes, Aristocats does have the same use of animation thanks to the invention of the Xerox process.
Before 101 Dalmations, animators would have to send their drawings to the Ink and Paint department where the laides (most were hired for the position) would take those drawings, put a piece of celluiod paper (clear) over the drawing and ink by hand with a very thin brush the drawing onto the sheet and then flip it over to paint the color on them.
Well, when 101 Dalmations was in development, along with the finishing of Sleeping Beauty, the Xerox machine was invented that could basically take the animators drawings and transfer them onto a sheet of celluiod paper without having to ink by hand. They had to still paint the color on, sure, but it saved having to ink it on. Also, because the machine did all the inking for them, it left behind this sort of a sketchy look to the films, which is why you can notice in films like 101 Dalmations lines in areas of the animation that look like the animation was still in it drawn faze with lines to indicate where to put the eyes and such. In fact, believe it or not, the animators loved seeing their aniamtions on film this way cause they felt the soft, more fairytale like style in their previous films would hide the animators personality to them and not feel as artsy.
Or simply put, Don Bluth.
Yes, AnonTheAnon’s style is based on classic Disney animation.
I know that
A few reviewers tend to point out how the songs tend to get drowned out by the dialogue throughout the film, but their was a soundtrack of it released and you can hear the songs free of the dialogue on YouTube
Here is Sun Do Shine for example https://www.youtube.com/watch?v=A9d_5eAL2ww performed by late Glen Cambell
AniMat did a review of it a while ago too, he wasn’t to kind to it either.
Another role Deezin played was that one nerd that Danny and his friends made fun of in Grease
When I was young, but yes I watching that.
Looked up a funny video searching for that line.
Another Eddie Deezen line: “KILL MORE KRITES!”
Weeeeeell, the Nostalgia Critic busted the movie’s balls himself in his earlier videos, making a joke about how Christopher Plummer (The Great Duke of Owls) was forced to participate.
I’m sure there are some decent reviews somewhere.
I can’t really the soundtrack, but given the name I hope that the music in the film at least holds up. Has anybody on Youtube done a decent review of it?
Oh, it was, at times. First saw it on TV when I was younger than you, so I couldn’t fully appreciate it. Or the fact that Eddie Deezen was Snipes; all I heard was Mandark after rewatching the film
Titan A.E. was a lot of fun, but I distinctly hating Rock-a-Doodle back when I was… like… a 10-year-old or something. It’s still a pretty film, nice on the eyes and whatnot, but I it being rather stupid.
Recently? I watched it again last year, myself. Such a funny classic.
I actually watched Rock-a-Doodle.
@Joseph Raszagal
Not to mention other underrated films like Rock-a-Doodle and Titan A.E
If there’s one thing Bluth has in spades, it’s definitely style. The Secret of NIMH and the original Land Before Time are two of my favorite animated films. Both are absolutely stunning to look at.
But the films don’t really share HIS style
@Yet One More Idiot
I’m sure you both are referring to Don Bluth’s art style, since he had a hand in both films
I think he means the artstyle, but yes, Aristocats does have the same use of animation thanks to the invention of the Xerox process.
Before 101 Dalmations, animators would have to send their drawings to the Ink and Paint department where the laides (most were hired for the position) would take those drawings, put a piece of celluiod paper (clear) over the drawing and ink by hand with a very thin brush the drawing onto the sheet and then flip it over to paint the color on them.
Well, when 101 Dalmations was in development, along with the finishing of Sleeping Beauty, the Xerox machine was invented that could basically take the animators drawings and transfer them onto a sheet of celluiod paper without having to ink by hand. They had to still paint the color on, sure, but it saved having to ink it on. Also, because the machine did all the inking for them, it left behind this sort of a sketchy look to the films, which is why you can notice in films like 101 Dalmations lines in areas of the animation that look like the animation was still in it drawn faze with lines to indicate where to put the eyes and such. In fact, believe it or not, the animators loved seeing their aniamtions on film this way cause they felt the soft, more fairytale like style in their previous films would hide the animators personality to them and not feel as artsy.
I was thinking perhaps more like The Aristocats?
Everybody wants to a pone,
Because a pone’s the only pone
Who knows how to own…
xD